Nathan Trentham – “Missing Wife” (London, 1987)
Nathan Trentham, a weathered ex-Metropolitan Police detective turned private investigator, operated from a cramped office above a curry house in Soho. In his late forties, with a clipped moustache, a perpetual raincoat, and a fondness for strong tea and Silk Cut cigarettes, Trentham carried the ghosts of the Falklands and the Yorkshire Ripper investigation. He distrusted flashy new tech like mobile phones, preferring his battered Filofax and a network of old informants.
Mrs. Eleanor Hargrove arrived on a drizzly October afternoon. Her husband, a mid-level civil servant at the Home Office, had vanished three days earlier. “He took nothing but his passport and a small suitcase,” she said, voice trembling. “No note. The police say it’s probably another woman, but Richard wasn’t like that.”
Trentham took the case reluctantly—domestic disappearances were usually messy. He started at their semi-detached home in Chiswick. The neighbour mentioned seeing Richard load the car late at night. A quick check with a contact at Dover revealed a ticket booked under a false name to Calais. Following the trail to a modest hotel in Boulogne, Trentham found Richard living under an assumed identity, working as a translator.
The truth emerged over warm beer in a smoky café: Richard had uncovered sensitive documents suggesting a cover-up in a recent IRA-related case. Threatened indirectly by higher-ups, he’d chosen disappearance over betrayal or silence. Trentham negotiated a discreet reunion plan—Eleanor would join him in France under new identities. No dramatic arrest, just quiet justice. As he drove back through the Channel tunnel construction chaos, Trentham lit another cigarette and muttered, “Some wives are better off missing.”
